The Original Sensational Showmen

The Original Sensational Showmen
National Guard Armory-Concordia - 1965

Friday, February 27, 2015

History of KOMA radio

KOMA was born on Christmas Eve 1922 in Oklahoma City. The southwestern giant was only 15 watts of power under the original call letters KFJF. The station’s original purpose was to rebroadcast the programming of larger eastern stations. In 1932 the call letters were changed to the now internationally known KOMA. The studios were moved at this time, filling the 24th floor of the Oklahoma City Biltmore Hotel; an area they would occupy for over 30 years. KOMA then took on its familiar frequency when the FCC moved all AM radios stations 40 kilocycles up the dial. KOMA-1480 became KOMA-1520 and was operating at 50,000 watts. During the 50’s, television was forcing radio into a period of change. The old radio shows were quickly fading into the past. Something called “Top 40” with “Rock ‘N Roll” music was the latest trend in radio. KOMA became a true ‘rock’ radio station in 1958 when it was purchased by the legendary Storz Broadcasting Co. Storz, owned by Todd Storz and Gordon McClendon, developed the “Top 40” concept of radio and the format system employed by most successful radio stations in the country. The Storz chain of stations also include WDGY-Minneapolis as well as stations in Kansas City, New Orleans, St. Louis and Miami. Throughout the 60s and 70s, KOMA was the favorite of teens all across the western U.S. With the big signal and relatively few rocknroll radio stations across The Plains, it was the main station for the hits. KOMA could be heard on car radios, in homes and everywhere a kid could tune in.Often teens in New Mexico, Arizona, Wyoming, Kansas, Colorado, Nebraska and Iowa as well as other western states would eager await sunset when the mighty 1520 would come booming through with the newest hits of the day. They would sit in their cars on hilltops, turn it up at parties or fall asleep with the radio next to their beds as they listened to Chuck Berry, the Supremes, Paul Revere & the Raiders, and the Beatles. Soldiers in Viet Nam even reported tuning in KOMA to give them a little feeling of being back home. Led through the 60s by program directors Dean Johnson, Dale Wehba and Perry Murphy, some of the best-remembered deejays spun the hits each day and night. Charlie Tuna, Dale Wehba, Don McGregor, Paul Miller, John David, Chuck Dann, J. Michael Wilson, Johnny Dark, Buddy Scott, John Ravencroft and many others were among those who played the hits from the studios in Moore, Okla. Everyone remembers “Yours Truly KOMA” and the “kissing tone.” This was an era where radio was fun. It was more than just the music. It was a magical blend of personality, jungles, contests and fun mixed with the greatest music that defined the era. These were considered by many to be the best years of radio. And for baby boomers across the Midwest and Western US, KOMA was king. On Sept. 22, 1988, after a few years airing country and big band formats, KOMA returned to the Oldies format under the direction of Program Director Kent Jones. Through the 90s, KOMA hosted the Rock and Roll Reunion events that brought many local bands of the 60s back together for live concerts in front of thousands of fans. In 2004 the station hosted the “KOMA Fan Jam.” Many former deejays returned for the event and the weekend programming was full of memorable recordings from the 60s, serving as a tribute to the KOMA staff and listeners who made the AM station such a legend. The Fan Jam drew a capacity crowd of over 1000 fans to the Westin Hotel in downtown Oklahoma City. In recent years KOMA has twice been a finalist for the prestigious Marconi Radio Award for Oldies Station of the Year and Medium Market Station of the Year. Today KOMA continues to draw a loyal audience as listeners tune in for fun and memories of those great years when the station was an integral part of their lives while growing up.

Cobblestone Ballroom Storm Lake, Iowa

Laura and Willard Lawrence, along with her brother Jake Figi formed a partnership in December of 1928 to operate a bathhouse and store on the shores of Storm Lake. There wasn’t much for the young people of the area to do in those days so the little store soon became the favorite gathering place for young couples. It was this situation that prompted the partners to build the first Cobblestone Inn. On New Year’s Eve of 1929 the first dance was held in the small hall that accommodated 50 couples. From those humble beginnings the famous Cobblestone Ballroom was born. It could hold upwards of 1500 people for dining and dancing. After Willard’s untimely death in 1936, Laura continued the partnership with Jake. A fire in 1945 completely destroyed everything but the main ballroom. The partners built a new main dining room with several private banquet rooms and a modern kitchen able to handle banquets of 1000 or more. Two years later, Laura’s three sons bought out Figi’s half of the business and joined their mother in operating what became one of the finest dining and dancing spots in the Midwest. They employed 39 people plus extras for special events. During the “Big Band Era” many nationally known bands appeared at the Cobblestone such as: Duke Ellington, Lawrence Welk, Tommy & Jimmy Dorsey, Jan Garber and Big Tiny Little. Laura Lawrence retired from active participation in the business in 1957, turning it over fully to Orville (Shorty) and Willard Junior (J.R. or “Junior”). They became the proprietors just in time for the rock and roll era to arrive. For the Cobblestone, that happened on Sept. 21, 1958 with CYO dances that started with records and turned into regular Sunday night Teen Hops with regional and national bands. That continued until the early 1980s. The ballroom’s datebooks reflect appearances by Myron Lee & the Caddies, Johnny & the Hurricanes, Bobby Vee, Jerry Lee Lewis, Conway Twitty, the Rhythm Aces, the Charades, the Fabulous Flippers, Spider and the Crabs, Dee Jay & the Runaways, The Senders, Red Dogs, Baby and the Rumbles among countless others. J.R. passed away in 1976 and his wife Geraldine (Jerry) took over his duties in the family business. Shorty died on 1987. The Cobblestone closed in November of 1986. The structure still stands and the city of Storm Lake has discussed preserving and possibly restoring the landmark.

Avalon Ballroom, Remsen, Iowa

The Avalon Ballroom of Remsen, Iowa. Remsen's Avalon Ballroom was built in 1937, making it 61 years old, and one of lowa's longest running ballrooms. The building was constructed on the former A.i. Duster parking lots just North of the American Legion. At the time that the building was built, it covered a ground space of 60'X 110' making it one the largest structures of it's kind in western Iowa. Then owners, Jake Raveling & Frederick Phillips set the grand opening for Labor Day of 1937 drawing over 400 dancers. Over the years The Avalon has played host to the likes of Lawrence Welk, The Velaires, Burch Ray & The Walkers, The Astronauts, The Trashmen and The Patch Of Blue with Tommy Bolin, to name just a few. After setting idle for a number of years, The Remsen Jaycees and their Remsen Community Action Club purchased The Avalon and is undertaking a significant remodeling of the ballroom to make it a beautiful, like new, and historic entertainment venue once again.

The Surf Ballroom, Clear Lake, Iowa http://www.surfballroom.com

The Surf has a fabulous music history from the big bands of the 30's and 40's, to big name rock artists of the 50's through the 90's, the Surf has had them all. The original Surf was built as a wooden frame structure and prospered as one of the most popular ballrooms in the Upper Midwest until an untimely fire caused her demise in 1947. The community of Clear Lake and dancers throughout the Midwest got behind the ownership of the Surf and it was rebuilt at its current location in 1948. In the 30's and 40's in order for a big band to make it's reputation nationally, it had to play the Surf. The likes of Count Basie, Duke Ellington, The Dorsey's all made regular stops at the Surf. The 1950's saw the dawning of rock and roll and then manager Carrol Anderson was quick to book into the Surf the hottest names in the business. This was the case on February 2, 1959 when Anderson brought in the famed Winter Dance Party featuring Buddy Holly, Ritchie Valens, The Big Bopper, and Dion. There isn't anyone who doesn't know the rest of the story as the fateful plane crash after the show took the lives of Holly, The Bopper and Valens. During the 50's and 60's the name rock acts kept playing the Surf. Artists such as Link Wray, Sam the Sham, Dion, The Everly Brothers, Jan and Dean, and Conway Twitty all took the stage at the Surf. In the early 70's, the Surf brougt in the likes of Santana, REO Speedwagon and Kansas, quite an impressive line-up. In 1975 the management of the ballroom was taken over by the colorful Darrel Hein, then later by Bruce Christensen. During the 90's the ballroom has undergone significant renovation by it's new owners, the Snyder family of Clear Lake.